"The Lexington Hotel had once, I think, been a rather grand family hotel, but now its large and gloomy lobby was deserted except for a couple of bulging Sicilians and a reception clerk who looked at one across the counter with the expression of a speakeasy proprietor looking through the grille at a potential detective. He checked on my appointment with some superior upstairs, and as I stepped into the elevator I felt my hips and sides being gently frisked by the tapping hands of one of the lounging Sicilians. There were a couple of ante-rooms to be passed before you got to Capone's office and in the first of them I had to wait for a quarter of an hour or so, drinking whisky poured by a man who used his left hand for the bottle and kept the other in his pocket.
Except that there was a sub-machine-gun, operated by a man called MacGurn - whom I later got to know and somewhat esteem - poking through the transom of a door behind the big desk, Capone's own room was nearly indistinguishable from that of, say, a 'newly arrived' Texan oil millionaire. Apart from the jowly young murderer on the far side of the desk, what took the eye were a number of large, flattish, solid silver bowls upon the desk, each filled with roses. They were nice to look at, and they had another purpose too, for Capone when agitated stood up and dipped the tips of his fingers in the waters in which floated the roses."
Claud Cockburn. Interview with Al Capone (1930).
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